Irish Studies in Europe Vol. X: Stage Irish: Performance, Identity, Cultural Circulation

Fagan, Paul. Fuchs, Dieter. Radak, Tamara (eds). 2021

Full Volume
P. Fagan, D. Fuchs, T. Radak; Introduction: Transcultural Refractions and Receptions of Irishness on Page, Stage, and Screen
P. Fagan; Groves of Blarney: Fake Songs, Mock-Hoaxes, and Stage Irish Identity in William Maginn and Francis Sylvester Mahony
M. Corporaal; Staging Irishness in the Transnational Marketing of Local Colour Fiction
E. D'hoker; Staging Irishness in Ethel Colburn Mayne's "The Happy Day"
R. Barlow; Dion Boucicault, Arrah-na-Pogue, and Stage Irishry in Finnegans Wake
D. Fuchs; Austria and the Irish Paddy: Séan O'Casey's Juno and the Paycock Staged in 1930 and 1934 Vienna
E. d'Erme; "And Trieste, ah Trieste...": Stage Ascendancy and Charles Lever's Irish Characters
I. Maver; James Joyce and the Slovenians Auto- and Hetero-Stereotypes
M. Connerty; "Beguiling Shenanigans": Ireland and Hollywood Animation 1947-1959
M. Witen; Object Lessons and Staged Irishness in Darby O'Gill and the Little People
E. Murphy; 'Wear Something Green': The Re-Invention of the St. Patrick's Day Parade
V. Membrive; Deconstructing Stereotypes and Othering through Humour in Lisa McGee's Derry Girls
A. Fogarty; Reconfigurations of Gender in Contemporary Irish Stage Adaptations, 2019-2020
C. Wallace; Set Piece, Set Peace? Negative Emotions and the Possibility of Change in Recent Stage Images of the North
N. Remoundou; Regarding the Rights of Others: Spectres of the Middle East in Conall Morrison's The Bacchae of Baghdad
List of Contributors

University of Siegen

 

Irish Centre of the University of Siegen

 

Contact:

         Nadine Schmidt

                  Email: Schmidt@anglistik.uni-siegen.de

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