International Ph.D Seminar, Prague, 2009
THE POLITICS OF IRISH WRITING
Postgraduate Conference
Centre for Irish Studies, Faculty of Arts – Charles University Prague
18 – 19 September 2009
Location: Faculty of Arts (Filosofická fakulta) – main building, Palachovo náměstí 2, Prague 1, first floor, room 111 and 116
PROGRAMME
Friday 18th September
9.00 Opening address (Room 111)
Ondřej Pilný (Head of the Department of Anglophone Literatures and Cultures and Director of the Centre for Irish Studies, Charles University, Prague)
Maciej Ruczaj (Chair of the Organising Committee, Charles University, Prague)
GUESTS OF HONOUR:
Brian McElduff (First Secretary, Embassy of Ireland to the Czech Republic) James S. Rogers (President, American Conference for Irish Studies)
9.30 – 11.30 Colonised Island, Decolonised Minds? (Room 111)
Katrina Morgan (University of Portsmouth) “English in taste, in words and intellect”: An Investigation into the Politics of the Irish National School Books
Ciaran O’Neill (University of Liverpool) Pearse, Parnell or the Priests? The Politics of Identity in the Irish Schoolboy Novel
Giulia Bruna (University College Dublin) “I like not lifting the rags from my mother country for to tickle the sentiments of Manchester”: Synge’s Subversive Practice in “In the Congested Districts”
Christopher Collins (Trinity College, Dublin) J.M. Synge and the Politics of Pre-Christian Ireland
11:30 – 12:00 Coffee break
12:00 - 13:30 Crossing the Divide - Northern Irish Prose before the Troubles (Room 111)
Guy Woodward (Trinity College Dublin) History, Nationalism, and The Emperor of Ice Cream
David Jameson (Trinity College Dublin) “Exogamous Bride” An Analysis of ‘RomanceAcross-the-Divide’ in the Novels of Three Northern Ireland Writers
Michaela Marková (Charles University, Prague /Trinity College, Dublin) Topography of Urban Space in Janet McNeill’s Adult Fiction and Drama
13:30 – 14:30 Lunch break
14:30 – 16:00 Trans-Cultural Translations (Room 111)
Kateřina Jenčová (Charles University, Prague) Irish-Canadian Experience
Caitríona Ní Chléirchín (University College Dublin) Translation and the Voices of Contemporary Irish-language Poets in Irish Writing Today
Debora Biancheri (National University of Ireland, Galway) Irish Writing in Italy: Issues of Identity in Translation
16:00 – 16:30 Coffee break
16:30 – 18:30 (two parallel sessions)
a) Faces of Irish Nationalism (Room 111)
Anna Pilz (University of Liverpool) ‘Egypt for the Egyptians’, ‘Ireland for the Irish’: Lady Gregory, George Bernard Shaw and Anti-Colonialism
Kati Nurmi (University of Liverpool) Folklore, Nationalism and the Politics of National Identity in Ireland and Finland, 1880-1930
Maciej Ruczaj (Charles University, Prague) Liturgy and Revolution: Two Plays by Padraic Pearse and Translatio Sacrii
Barry Sheils (University of Warwick) From Dignity to Beauty: The Aesthetics of Irish Independence
b) The Search for New Spaces - Contemporary Irish Prose (Room 116)
Sonia Howell (National University of Ireland, Maynooth) From a Seamless Garment to Quilt
of Many Patches: Irish History and Identity in the Novels of Sebastian Barry
Gergely Kovács (University of Debrecen) Space, Place, and Subjectivity in John Banville’s Ghosts and John McGahern’s That They May Face the Rising Sun
Tea Raše (University of Zagreb) C/Kynicism as a Way of Exploring Third Space in Philip Ó Ceallaigh’s Notes form a Turkish Whorehouse
Saturday 19th September
9:30 – 11:30 (two parallel sessions)
a) Nightmarish Visions on Stage- Contemporary Irish Drama (Room 111)
Lilla Kolos (University of Pésc) Inside-Out, Upside-Down: Reversals in John Bull’s Other Island by George Bernard Shaw and The Gigli Concert by Tom Murphy
Ester Žantovská (Charles University, Prague) Shock, Gloom and Laughter: Contemporary Irish Black Comedy
Hana Pavelková (Charles University, Prague) Unreliable Storytellers on Stage: Faith Healer, Not I and Baglady
Aoife Dempsey (National University of Ireland, Galway) Is the Catalyst for Destruction Foreign or Female? An Exploration of Irish Adaptations of Euripides’ Medea
b) Dissecting Irish Classics (Yeats, Joyce, Beckett) (Room 116)
Adam Putz (University of Warwick) Continental Thinking, Continental Living: W.B. Yeats, James Joyce, and the Cultural Politics of Appropriating Shakespeare
David Vichnar (Charles University) “Corrupt Paris, Virgin Dublin”: Joyce’s Tale of Two Cities
Jared Lesser (University of Otagu) The Aesthetics of Impoverishment: Reading Body and Place in Joyce’s Dublin
Eoghan Smith (NUI Maynooth) Art, Identity and Politics in Beckett and Banville
11:30 - 12:00 Coffee break
12:00 – 13:30 Between Home and Beyond the Sea - Contemporary Irish Poetry (Room 111)
Daniela Theinová (Charles University, Prague) “Letting In the Light of Laughter”: Traditional Iconic Images of the Feminized Land in the Hands of Contemporary Poets Eleanor Chatburn (Durham University) “Echo-prolonging Poet”: The Politics of Intertextuality in the Poetry of Derek Mahon
Maren Kratz (University of Heidelberg) “The Canto of Ulysses”: Dante and Contemporary Irish Poetry
13:30 – 14:30 Lunch break
14:30 - 16:00 Women Fiction: Revival and After (Room 111)
Whitney Standlee (University of Liverpool) From Poetic Irishness to Prosaic Migrancy: Kathrine Tynan’s Novels and the Politics of Ireland’s “Long Gestation”, 1890-1916
Margaret O’Neill (National University of Ireland, Maynooth) “If I am Henrietta, then what is Henrietta?”: Desire, Femininity and Social Form in Elizabeth Bowen’s The House in Paris
Theresa Wray (Cardiff University) The Quest for Flora: Who Is She? Establishing One
Woman’s Place in Mary Lavin’s The Becker Wives
16:00-16:30 Coffee break
16:30-18:00 Muses amidst Arms – Writers' Responses to the Northern Conflict (Room 111)
Niall Carson (University of Liverpool) Seán O’Faolain, The Bell and Northern Ireland
Radvan Markus (Charles University, Prague) “The half-built, half-derelict house”: Interpretation of the 1798 Rebellion in Stewart Parker’s Northern Star
Naomi Banks (Durham University) “Adequate to our predicament”?: In Search of a Northern Irish Political Elegy
18:00 Closing remarks